‘Severance’ & Marx: Worker alienation taken to its extreme or, when the commodity is you
Last week, we discussed Marx’s argument that workers under capitalism are alienated from their labor in a few key ways. Alienation happens when workers don’t own the means of production, nor have control over production processes. In industrial/factory settings, for example, workers may only be responsible for one small step (attaching the aglet) in a long assembly chain (the production of a tennis shoe)–and the result is often a product that its own makers can’t afford (the Nike Air Force 1). Under these conditions, the worker is abstracted from both the product (the commodity) and their own time/labor (also a commodity).
I think Severance is useful in illustrating the relationship between these two levels of abstraction. First, it feels like an understatement to say that Lumon workers–at least the severed ones–are totally in the dark about what they’re working to create. Lumon is broadly described as some kind of biotech company, but the Macrodata Refinement team in particular has zero insight into the relationship between their daily work, which is described as “mysterious and important,” and the final product. (In fact, an underlying question in the show is… is there a final product?) Unlike the industrial landscape to which Marx & Engels responded, Severance is set in a familiar, late-stage capitalist environment in which workers are often tasked with the production of intangible, technology-based goods and services. Mark’s repetitive, instinct-based, game-like Cold Harbor project, for example, reminds me of the work of content moderators who are tasked with flagging and removing harmful content from platforms like TikTok, Meta, etc. Content moderators, often based in cities far from tech company headquarters (ex: India, Kenya and Malaysia are big hubs), might contribute to the goal of user safety, but their work also trains AI models that will ultimately replace their labor altogether. Like in Severance, content moderators are one piece in the production of one large, amorphous “product” but it’s not totally clear what’s being produced.
According to Marx, the workers in Severance, like all workers, are also alienated because they exchange their own labor/time for the concept of money. However, the situation is complicated by the fact that severed workers also make another kind of exchange. They agree to undergo an invasive, experimental medical procedure and in return, their Outie gets to experience life “free” of work. Here, the through line with Marx gets a little muddy–but I’ll do my best. The Severance case takes worker alienation to a literal extreme as the procedure creates a work self and a non-work self. This is reminiscent of a great section from The German Ideology:
“The worker therefore only feels himself outside his work, and in his work feels outside himself. He is at home when he is not working, and when he is working he is not at home. His labour is therefore not voluntary, but coerced; it is forced labour. It is therefore not the satisfaction of a need; it is merely a means to satisfy needs external to it” (659).
Severance mirrors Marx & Engels’ thinking here, down to the language of the self “outside his work.” And just as the above passage describes, an Innie’s labor–tragically–only exists to satisfy what is external to it. For me, the final twist in the Marx-Severance equation is that the primary commodity in the show is likely the severance procedure itself. Severance imagines a world in which we can skip the labor of work, but also of childbirth, the dentist, or a blood draw. The commodity, then, is the very procedure that enables the existence of severed workers–who likely labor only as a continuation of that initial experiment, as a way of testing and maintaining the technology. I’m not sure what to make of that in relation to Marx, besides the way that it so weirdly, eerily illustrates his prescient warning that capitalism contains the seeds of its own destruction. Would love to hear what other Severance watchers think.


