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midterm exam key

Posted by Jeff Allred (he/him/his) on

As promised, here are answers to the midterm questions. I didn’t have a very good key from prior terms, and I asked a lot of new questions on new texts, so I had to “take” my own exam, answering all 18 questions.

Uh, it was pretty tough. Be sure to check your iffy answers against mine, and feel free to reach out if you’re still puzzled on anything. Good review for the final exam, which will emphasize the new material from Freud onward but will also bring back some of this older material.

 

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useful walk-through of Mulvey’s essay

Posted by Jeff Allred (he/him/his) on

Here’s a splendid 20 min lecture on Mulvey’s argument. The lecturer has an extensive array of podcasts on hundreds of theoretical pieces, including some stuff that we’ve read together, here.

Laura Mulvey’s “Visual Pleasure and Narrative Cinema”

In this episode, I present Laura Mulvey’s short essay, “Visual Pleasure and Narrative Cinema.” If you want to support me, you can do that with these links: Patreon: https://www.patreon.com/theoryandphilosophy paypal.me/theoryphilosophy Twitter: @DavidGuignion IG: @theory_and_philosophy Podbean: https://theoretician.podbean.com/

And here are some examples (with very little contextualization) from the kinds of classic Hollywood cinema that Mulvey analyzes:

Laura Mulvey-Visual Pleasure and Narrative Cinema examples

Comm Studies 483

And here’s a moving short piece on the model and actress Brooke Shields’ reflections on her being rendered as an object for others’ scopophilia in today’s New York Times. It’s not super theoretical but does convey a vivid sense of the human cost of the patriarchal cinematic apparatus that Mulvey analyzes [remember that you can get free digital access via the Library’s site]:

Opinion | Brooke Shields, Social Media and the Public’s Withering Gaze

Some kids raised in the spotlight feel that their formative years were stolen.

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