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Deeply Lacanian joke incoming!

Posted by Jeff Allred (he/him/his) on

While riding to work this morning, I thought about how Lacan’s reading of the “mirror stage” is hilariously conjured up by a joke the narrator relates in Alexandr Hemon’s marvelous novel, The Lazarus Project:

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This is a classic instance of what Lacan calls “meconnaissance” (misrecognition), whereby the subject identifies with the idealized figure in the mirror (here, the “brawny, suntanned” man with the hot wife and scads of money) to substitute for the unbearable fact of his own frustrated, discontinuous, dislocated self (Mujo, like the narrator himself, is an immigrant who, Lazarus-like, is permanently alive and dead, between two worlds, already over and beginning again).

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Question on Freud

Posted by Jeff Allred (he/him/his) on

The psychologist is in:

A student asked an excellent question via email that I’ll share, anonymously. Here goes:

I was hoping you can help me in understanding Freud’s text related to dreams. What is the difference between the latent content (which is “dream-thoughts”?) and the manifest content? And how does condensation and displacement factor in with the two?

Great question. Freud’s breakthrough is to conceptualize the psyche as a dynamic entity in which energy flows through different areas or states and is processed along the way via “censorship.” So the “dream-thoughts” or “latent content” (and yes, these are synonyms) are the products of the “id” that are inaccessible to language and hence to thought. Manifest content is what remains when you wake up: the jumble of images or fragments of narrative that you jot down, if you’re a good patient!

What Freud calls the “dream work” involves basically decompressing this “manifest content” and making it meaningful via a process of decoding. “Condensation” and “displacement,” then, are fundamental features of the “code” of dreams: the former names the tendency of manifest content to be “laconic,” such that each image is saturated with meaning; the latter names the tendency of manifest content to substitute something of low value for something of high value. As in my example in class of a dream in which I was ironing shirts and scorched the shirts, the mundane process of ironing might speak to extreme anxieties about my self-presentation in public, status as a “white-collar” worker, and so on: stuff that is charged with intensity for me.

Keep ’em coming, folks: I’ll be here all day.

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