Notes on Barthes “The Eiffel Tower”
Barthes essay “The Eiffel Tower” seems to focus on his fixation with the famous monument that we associate with Paris, France. He’s perplexed by its uniqueness of the ability to spot it wherever you are. It teeters on the duality of being seen by everyone and it seeing everything, rendering it a complete verb. It is this all encompassing monolith that reflects how visitors and natives alike attach their dream like visions to the tower. They only see themselves and their own subjective fantasy. It has a passive yet active role which allows unseen things to still exist. But most of all, he becomes irritated so much by its presence, aesthetics, and social connotation attached to it that the only way he’s able to escape it is to eat by it everyday. He uses the Eiffel Tower as an example of familial goods are able to enmesh themselves in the lives of the consumers within an economy. He argues that the tower was useless even in the beginning of it’s construction, claiming that it served no rational or practical purpose. Barthes identifies the tower as a signifier that only had meaning when men grant it to have such meaning. The signifieds being “the symbol of Paris, of modernity, of communication, of science or of the nineteenth century, rocket, stem, derrick, phallus, lightning rod, or insect” (4). This list could technically go on because we are granting it meaning from our own subjective imagination and experiences. Barthes explains how even the creator/architect of the tower had constructed a list of uses for his tower such as “aerodynamic measurements, studies of the resistance, of substances, physiology of the climber, radio electric research, problem with telecommunication, meteorological observations, etc” (6). Barthes deem these expectations for the tower’s use to be just as ridiculous because they can never be compared “to the great imaginary function which enables men to be strictly human” (6). As a signifier it serves a purpose of its function being futile. But on a mystical level, in order for the tower to have significance as a signifier it must escape reality completely and not abide by its expectations.
The dream like seduction of the tower is comparable to the discourse of advertising in which we willingly sold on the illogical in order to allow. It’s comparable to the empty brands such as coca cola or disney that are meaningless until we thrust significance onto them in order to display our personality through signs of commodities, brands, and goods. Once we make our identities apparent in these brands, we must display ownership which would give the commodities functions within our social realm. So really, the Eiffel tower technically isn’t useless right? It’s just being hidden by all the socioeconomic faces we’ve attached to it. Just like Coca Cola, the Eiffel Tower offers a sort of identity that is able to take subjective form. Could this be what Barthes talks about when it is a “great imaginary function which enables men to be human”? We have to create metaphors and icons around things and give significance to them in order to be human? Is that why companies like coca cola and disney have a family oriented/communal appeal? To have a sense of familiarity in a constructed fantasy created by companies to us, the consumers?
Aesthetically, Barthes claims that the tower was supposed to be perceived as this “rational, useful” structure but men come back to it “in the form of a great baroque dream” (6). This is contrasted by his description of the sun tower which opposes the tower aesthetically with the use of “utilitarian” steele and of masonry. Details such as a bonfire and elaborate mirrors illuminate the top of the structure hold no meaning to him. In response to the attention to detail specs of the structure he claims “ use (utilitarianism) never does anything but shelter meaning” (7). If this is so then does that mean he would consider the tower to be a piece of art more so than the Sun Tower because of it’s “utterly uselessness” function considering he believes that “the function of art is to reveal the profound uselessness of objects”. Whereas the tower shelters physically nothing it still is able to attract hoards of visitors annually. The visitors supposedly come to see the tower to manifest or at least participate in their dream they’re composed around this monolith of a structure. But this might be a little romantic. You can find the tower in the most eloquent of Parisian books and on the most watermarked copy of a Danielle Steele book cover. Not everyone goes to Paris for a spiritual voyage to find themselves. Even though he says that the masses are able to transform a place, I can’t say the same about Time Square. I’d have to disagree with Barthes that everyone has a deeply emotional experience when visiting the tower. I’m sure tourists who live near it and have to commute by it everyday are irritated just as New Yorkers are who work in Time Square.
I do agree that when one visits the tower and “perceive, comprehend, and savor a certain essence of Paris”. It’s impossible for everyone to be utterly moved by this structure to change the place completely but i do have faith in people who visit and take with them an essence of Paris. That seems to be more realistic and rational. It’s ability to transform the landscape and make it naturalized gives it an ability to brighten the landscape. It connects people from the ground to the sky and enables them to see what they wouldn’t normally be able to see. This was conceptualized around the “bird’s eye point of view” as created in the Hunchback of Notre Dame.
The tower constructed the idea of the panorama by changing the way we receive signals concerning memory and sensation that allows for a unique perception to be channeled by the individual. With this said, they have a complex nature where it is constantly changing. Therefore it can never be considered art because it is unlike a single image that is stagnant. The tower is a witness to the three functions of human life: knowledge, habitation, and business. It attracts people to the west and southern views where the most cosmopolitan reside. It is a witness to the sunset and illuminates the sky at night. In many ways the tower is a convoluted paradox that holds a plethora of perceptions. It has a sense of familiarity even though it is crowded with tourists or otherwise strangers from around the world.


